Someone

Someone: Tessa Rose Jackson’s latest musical project is minimal and beautiful

someone

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Tessa Rose Jackson is someone, a Dutch visual artist and the musical mind behind Someone. “Art Pop Art” she calls it. All she needs is a bass and her voice, which, like the song, blossoms from isolated diary-like reading to grand confession. It’s lovely. And she knows how to get loud and make a killer music video.

From GoldFlakePaint:

“Recorded in just one night – from 11pm to 4am – at her home studio in Amsterdam, it seems fitting that ‘Forget Forgive’ reaches a reprieve in its conclusion, akin to the sunrise after a darkened isolation. ‘It’s the most personal track I’ve written so far,’ she explains. ‘Playing the song to other people actually always feels a bit icky, like reading an excerpt from my diary out in public. It’s super naked. It’s a really intimate lyric about battling some pretty nasty demons and, in overcoming them, figuring out the kind of person you want to be.’”

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The Daydream Fit

The Daydream Fit: The Dutch outfit stays close to its ’90s emo roots but have expanded its sound

The Daydream Fit

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Is there anything more bittersweet than a band going on hiatus or breaking up after releasing their best work? It isn’t rare, though; at times, the effort of releasing something outstanding is draining, it damages the personal relationships inside a band, or it makes its members realize they don’t have so much time to put on their musical project anymore.

When it comes to The Daydream Fit, a criminally underrated band based between Enschede and Utrecht, in the Netherlands, it’s unsure what the cause of their hiatus was. What we know is that their last self-titled EP is a rare gem in the contemporary emo scene, a mind blowing work that would have deserved a lot more attention.

The Daydream Fit is the second record by the Dutch outfit – the first was a three-songs EP resembling bands such as End Of A Year and characterized by a contagious freshness. Their last work is longer, with six songs graced by a masterful production that brings out the band’s ability to write songs that are seemingly simple but are written with a passionate attention to detail. The record is rich with references to the ’90s. On the second track “Stick To Yr Lies” it’s easy to hear the youthful urgency of Moss Icon, while on “New York City Tonight” there’s even a collaboration with Sonic Youth guitar player Lee Ranaldo.

But most importantly, it feels like it’s the approach of The Daydream Fit that comes from a different era, untouched by the contradictions of today or by the pressures of appearing a certain way. The band focuses on their music in the most genuine way possible: not only they play precisely what they want to play, but they also have the means to do it, and the result is truly poignant and brilliant.

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