RAKTA

RAKTA: experimental all-female post-punk from Sao Paulo

rakta

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For those who are familiar with the new waves of raw post-punk, RAKTA shouldn’t be a surprise. For those who aren’t, they could be a good starting point. As a matter of fact, it’s hard to define whether this all-female band from São Paulo in Brazil really belongs to any actual current wave, but categorizing them is certainly not a priority anyway. Like they claimed on an interview with CVLT Nation, “we are not attached to any [genre], and this is what we are trying to advocate.”

One of the most impressive features about RAKTA is the primitive nonchalance with which they go from horror soundtrack sounding synths and mystical intertwined vocals that repeat echoed hex mantras to walls of oppressive percussion that stand in obdurate opposition to the seductiveness of the most popular rhythms coming from their homeland. Their music belongs to a dark ritualism that isn’t traceable to any genre-related framework, and that often flows into a devilish and fascinating tableau resounding with noise, drone, and even electronic music.

Even when their experimental fury shatters common post-punk structures, though, there’s always a certain hypnotic feeling that allows the listener to remain focused and attracted to their sound. Over the course of a six-year long career, the band improved their formula with each release – most of them being cohesive EPs with powerful and defined aesthetics – and reached their peak with III. On the album, released by Iron Lung Records in the States, five long songs create a sonic universe that is truly unique in today’s music world and which perfectly represents what RAKTA are about.

RAKTA: Facebook Bandcamp

Anti-Corpos

Anti-Corpos: feminist lesbian hardcore via São Paulo

anti-corpos

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The original goal of a genre like hardcore punk has always been to change things, fight injustices, and give a voice to those who are oppressed. However, it feels like with time, the hardcore scene has become a niche built for white males, with many live shows turning into a gym for violent people, a phenomenon that has inevitably pushed others away from the scene and from its great potential. It’s in this context that the importance of Anti-Corpos, who define themselves a feminist lesbian hardcore band, becomes evident. They epitomize the original spirit of hardcore.

Anti-Corpos are from São Paulo, Brazil, and they might be the angriest band you’ll ever hear. No triggered double-kicks, pompous guitar riffs, or carefully faked screams. Only real and necessary anger. Their urgency is evident in the strident vocals of singer Rebeca Domiciano: she needs to scream and to get things off her chest. It feels like her voice, while refusing to precisely follow her band mates fast-paced tempos, can actually make a difference.

Their latest full-length, released in 2015, is a great example of political hardcore. It’s titled ‘Forma Prática de Luta’ (‘Practical Way Of Fighting’) and contains eight short and intense tracks that talk about police brutality, patriarchal abuse, and finding ways to resist to any kind of oppression. The lyrics are in Portuguese, but they barely need to be translated, seeing how energetic and heartfelt everything sounds. In their live shows, this anger is even amplified while male chauvinist violence is not tolerated. It’s what hardcore should simply be like, now more than ever.

Anti-Corpos: Facebook Bandcamp WordPress