Project Youth

Project Youth: Punk Rock Istanbul

Project Youth

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Sure we all want to be The Clash and Sex Pistols, but how about actually sounding like them? To have that same sense of urgency and smirk? That’s the classic British punk sound and feel I hear from Istanbul’s Project Youth. I really enjoy all of Middle East for its politicalness and its desire to sound fun and alive. It feels like this group is on a mission to do something, even if that mission is just to destroy or declare that nothing matters. How punk.

From Facebook:

“Veins of ’77 punk and early British Oi! Featuring members from two local punk bands; Poster-iti & Sabotage.”

CROCODELIA

CROCODELIA: psychedelic surf rock from Taiwan

CROCODELIA

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Of course, when you think of fuzzy garage surf-rock, you think of crocodiles. Taiwan’s CROCODELIA, a band formed around 3100 BC, knows this, so they have perfected the art of the freakbeat with this excellent six-track EP. You can pick up Out Of The Swamp via Bandcamp.

 

Sabir

Sabir: Performers of MDM – Middle Eastern Dance Music

Sabir

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Sabir plays sleek, Mediterranean dance-influenced My Morning Jacket, stripped-down, dance beat-heavy Tame Impala, or lively Israeli wedding music. Or all three. Or more. Take your pick. MDM (Middle Eastern Dance Music) can mean different sounds to each person and no one is wrong. This band doesn’t mind bending those rigid genres rules, and they’re all the better for it.

The band’s full-length debut is out September 9th.

From Bandcamp:

“סאביר صابر is an instrumental band of six, playing MDM – Middle eastern Dance Music. [Their] music is a mixture of original Mediterranean pieces with elements of rock, electro, and hip-hop.”

Phil From Accounting

Phil From Accounting: a special project from yours truly

phil from accounting

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If it seems like my recent posts have been getting shorter, there’s a reason: I’ve been busying recording music with my band! I play guitar in Phil From Accounting. We’re a punk-rock trio where we all sing and write songs together. We just released our first single, “Carrie,” last week, which you can listen to below.

Our debut EP will be out next month. Stay tuned!

From our Bandcamp:

“‘Carrie’ from ‘If You’re Reading This, Please Call Mom,’ out September 2017. Released August 18, 2017. Written by PFA. Brady Gerber: guitar, vocals. Amanda Webster: bass, vocals. Jamie Williams: drums, vocals. Produced, mixed, and mastered by Oliver Ignatius at Mama Coco’s Funky Kitchen in Brooklyn, NY. Logo by Scott Carr.”

Phil From Accounting: Website SoundCloud Facebook Twitter Instagram

Modern Love

Modern Love: Early Hives Meets Iceage Meets Norwegian Lyrics

modern love

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Possibly due to its dark and cold winters and the lukewarm midnight sun of its short summers, Scandinavia is a land of harsh and juicy oppositions when it comes to music. The most famous artists that come out of here are either writing some of the catchiest melodies ever composed – think of Abba and A-ha – or playing the darkest and most terrific metal in the world, with a large portion of them playing black metal.

While often being included in a scene that prefers heavy and fast music, Modern Love from Oslo clearly belongs to the first category. They play a sort of peppy and distorted punk inspired by ’80s patterns, yet the real secret of the band, active since 2012, lays in their ability to write captivating melodies capable of surmounting the language barrier – their lyrics are in Norwegian, yet they sound almost intelligible to any English speaker for the enthusiastic nerve they hold.

Their geographic provenance can actually be heard quite clearly on their last album Tross Alt. Not just because of the lyrics, but also because the sonic references on the record definitely points towards the Northern countries of Europe: there’s the charisma of The Hives from Sweden, but also the primeval punk energy of Iceage from Denmark.

And like The Hives, Modern Love are at their best during their live performances. The singer wriggles on the stage, making eye contact with the crowd at every word he sputters with a ’77 punk vibe. Unlike the first wave of punk, though, he spreads only positivity in between the songs, turning his band’s show into a spate of “free hugs” and motivational words; to fight indifference and offer an example of what a real (modern) love should actually look like.

Modern Love: Facebook

Tapestry

Tapestry: Singapore Emo and a Back-to-Basics Raw Sound

Tapestry

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When listening to Tapestry, a glorious and heartbreaking band from Singapore, time stops. Take “A Set Distance”, for example, the sixth track off their latest full length I Hope You Never Find Me. “The joy of living is gone,” dramatically sings Syed, the band’s vocalist and guitarist as the song starts, while the band weaves a delicate post-rock motif. Not long after, the song erupts in a furious explosion that preserves the same drama. Assisting the main vocals, passionate screams percolate through the rhythm: they sound raw, woolly and ultimately reminiscent of the unpretentious screamo of fifteen years ago.

These screams are a spark in the work of Tapestry, that surely owes a lot to Midwest emo. Bands like American Football or Penfold ongly helped the band define their sound, giving them a point of reference. But Tapestry takes emo very seriously, not as something they copied from the States, but as something to live for. The constancy of their releases is a proof of that. Since their first 2012 EP, the trio has worked hard to perfect their formula, refusing to adhere to new trends and sounds.

Their last songs, released on a split with Michigan-based Coma Regalia, are a further evidence of such enviable coherence. “Strings & Azimuth”, in particular, is one of the best tracks the band has ever released. There, Syed talks about spending two years away from home due to the compulsory military service in Singapore. Even if the song is centered around a very specific theme, there’s a certain universality within it. And also the revelation that at the moment it’s “unconventional places” such as Singapore that offer some of the most interesting emo bands in the world, possibly due to the fact that the issues they cover are more transferable to the defining poignant traits of the genre–while being rather distant from the Western imagery.

Tapestry: Facebook Twitter