Beating Heart

Beating Heart: remixes of African field recordings for a good cause

beating heart

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I’ve been listening to a lot of Beating Hearts lately, specifically its debut release from last year that includes remixes of old Malawi field recordings. This month, the collective released its South Africa compilation, and I’m excited to see what countries the albums cover from here.

Learn more about the organization here.

From Bandcamp:

“[We are] a collective of artists and enthusiasts who believe in the power of music to create a world without borders. Born in the heart of Sub-Saharan Africa in 2016, the project sprung from a vision to bring the world’s largest archive of African field recordings into the present day. For this album, [we] inspired some of today’s hottest producers to build new compositions using original field recordings made in Malawi in the 1950s…Moving nation by nation, each release from the collective raises monies for the communities that created the original music.”

Beating Heart: Website SoundCloud Facebook Twitter

Okamotonoriaki

Okamotonoriaki: mü-nest’s latest release is a remix EP of the Japanese musician’s “Our Happy Ending.”

Okamotonoriaki

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Okamotonoriaki is a Japanese electronic musician and videographer who releases music on Malaysian indie label mü-nest. The original mix of “Our Happy Ending” sounds like the quiet sunrise you find on a long road trip that shares a similar wonder for lonesome peace as Yo La Tengo and Broken Social Scene. This EP includes remixes from recent mü-nest signees Dae Kim, Burnie, and Shuzhen.

From Bandcamp:

“Lonesome can appear to be a tough task to go through in our life. It, sometimes leads us to existence without purpose, find a love one or even death in drastic cases. What comes as a closure from it, can be sometimes harsh or nurture us to be who we are today. And this is what we learnt from okamotonoriaki’s third album, “Happy Ending”.

Our Happy Ending EP consists of three new affiliates of mü-nest, Dae Kim, Burnie and Shuzhen, bringing re-worked versions of the song, expressing different perspective to their happy endings.

Korea-born producer/composer, Dae Kim, captures similar serendipity with the original track. The song is quite susceptible to sappy tendencies and rather pop infused at times. The rhythms are the decorations rather than the element that carries the songs’ momentum, when rather the melodies’ and musical notes create flows and rhythm for the listeners to hold on to. Reminiscing poem subtly lies within the layers of synthesizers.

On the other hand, Burnie, who released his debut album, “Lotus City” last January through 4daz-le Records, offers rather different perspective to the mix. The song introduces itself with a sampled vocals and the poem surrounded by lush synthscapes, collaged narratively. The part that makes this remix comparatively special is when the tastefully constructed beat with well mashed amount of swing emerges into the song. Furthermore, grim yet sentimental distorted ambient guitar shifts its emotion to rather sanguine with xylophones complementing the blend, which shows the Macao producer/DJ’s own closure of the song.

Meanwhile, Shuzhen offers more minimalistic approaches to her epilogue. Classically trained pianist, who arises from Johor Bahru of Malaysia has paved her path to be a composer by collaborating with local artists for variety of different projects. The Johor Bahru composer invigorates her arrangement with subtle soundscapes and the poem. Dramatic tendencies form itself through uplifting yet bittersweet phased chords of piano slowly fading in. When the drums fades out to present contrasting synthscapes, which elaborate themselves to form complex yet sumptuous kaleidoscope of sound which reflects her distinctive feminine sensitivity.

What separates us from one to another is how we define a happy ending. For some, what defines a happy ending would be a success in life, whereas for some, it is simply to get a taste of their favorite meal. Perhaps, the happiest ending possible in our life is in us. To truly understand ourselves and what lies ahead of us.”

Okamotonoriaki: Website SoundCloud Facebook Twitter