Cambodian Soul Sounds: tracks, stories, and compilations highlighting Cambodian psychedelic rock & soul from the ’50s to the ’70s.
Cambodian Soul Sounds is a Stockholm, Sweden-based label that shares compilations highlighting songs and stories from Cambodia’s thriving psychedelic rock and soul scene from the ’50s to the ’70s. The compilations, curated by Richard Rossa, raises funds to support organizations that are trying to preserve and rebuild Cambodia’s cultural life. My personal favorite is Vol. II, which includes what might be my favorite cover of The Beatles’ “Hey Jude.”
From Richard Rossa via Facebook:
“The music scene in Cambodia during the 50s to the mid-70s was swinging hard! Khmer musicians of the era were influenced by western rhythm & blues, rock n’ roll, and music from Latin America. Musicians like Sinn Sisamouth studied these musical styles when traveling abroad, many Cambodians also tuned in these songs on US Armed Forces Radio during the Vietnam War and got influenced by the western sound.
The combination of styles and culture created a truly unique touch to the vivid rock music of Cambodia.
But…It all ended on April 17, 1975, the day the Khmer Rouge took over Phnom Penh. With many others – the artists were executed or sent away to prison camps to die. Cambodia fell into darkness.
During these years pretty much every original recording and master tape were destroyed. Listening to this music would have got you killed. But thanks to vinyl collectors who risked their lives concealing or smuggle their records out of the country there is still a bunch of them out there ready to be restored and archived for future generations to enjoy.
Cambodian Soul Sounds vol 1 is a compilation of old songs I managed to pick up myself when traveling in Cambodia. Even if the recordings presents a charming distorted sound, songs were also really low, but with a lot of high frequencies cutting through, making it somehow unpleasant at loud volumes. As a DJ and producer, I took matters into my own hands and reworked the recordings to give them a warmer and more suitable sound for your earphones or the DJ to blast at maximum volume at the local psychedelic soul party. Just as I do.
I am doing this because I know this music deserves a place in the context I am working in – as a Dj. It will help to find new listeners, promote and raise awareness of Cambodia as a whole. However, with its tragic history, this legacy needs to be treated with respect. I am doing this work to raise funds for project in Cambodia such as the work for music preservation and also to help disadvantaged children. The project is 100% non-profitable and every revenue from these track sales or streaming are going straight into these projects.
With this work, the lost musicians of Cambodia can continue to give aid back to their country long after they passed.”