The Daydream Fit

The Daydream Fit: The Dutch outfit stays close to its ’90s emo roots but have expanded its sound

The Daydream Fit


Is there anything more bittersweet than a band going on hiatus or breaking up after releasing their best work? It isn’t rare, though; at times, the effort of releasing something outstanding is draining, it damages the personal relationships inside a band, or it makes its members realize they don’t have so much time to put on their musical project anymore.

When it comes to The Daydream Fit, a criminally underrated band based between Enschede and Utrecht, in the Netherlands, it’s unsure what the cause of their hiatus was. What we know is that their last self-titled EP is a rare gem in the contemporary emo scene, a mind blowing work that would have deserved a lot more attention.

The Daydream Fit is the second record by the Dutch outfit – the first was a three-songs EP resembling bands such as End Of A Year and characterized by a contagious freshness. Their last work is longer, with six songs graced by a masterful production that brings out the band’s ability to write songs that are seemingly simple but are written with a passionate attention to detail. The record is rich with references to the ’90s. On the second track “Stick To Yr Lies” it’s easy to hear the youthful urgency of Moss Icon, while on “New York City Tonight” there’s even a collaboration with Sonic Youth guitar player Lee Ranaldo.

But most importantly, it feels like it’s the approach of The Daydream Fit that comes from a different era, untouched by the contradictions of today or by the pressures of appearing a certain way. The band focuses on their music in the most genuine way possible: not only they play precisely what they want to play, but they also have the means to do it, and the result is truly poignant and brilliant.

The Daydream Fit: Facebook Twitter


PAST: Warsaw post-punk meets ’80s gothpast

You don’t need to speak Polish to understand the attitude and aesthetics of PAST, a post-punk band from Warsaw that started playing in 2011. Sure, their lyrics are a fundamental part of their work, focusing mostly on the current state of the world with a certain disillusionment – but with an ever present glimpse of hope. But all of this information can already be grasped by carefully listening to the powerful voice of Gosia, the band’s lead singer.

There’s something in her beautiful vocals that manages to bear the band’s spirit and captures the listener. Her strong harmonies stand above the ravenous and dystopian sound of their new record, Czarno/Biela (Black/White), while fitting perfectly in it at the same time.

On their Bandcamp page, PAST assert they play music “so that they can run away from norms and mediocrity.” Mediocrity in particular, or rather refusing it and fighting it, is central to their work, and that is not something to be underrated. While clearly fond of cold post-punk, the band renovates the the dark ’80s sound and modernizes it in a sparkling way.

Cutting synths often fill the space, invigorating the album with an unusually wide range of colors, while an omnipresent bass and blossoming guitars add a precious depth to the band’s compositions, pushing the band towards a roaring punk urgency with the help of fast-paced and never monotonous drums.

All of these elements turn Czarno/Biela into an exciting and epic ride, one that creates an atmosphere that owes a lot to the German post-punk of thirty years ago. It’s post-apocalyptic, but with a sizable dose of emotions and curiosity for all the possibilities that this type of music can offer.

Past: Facebook Bandcamp