Matthew Tavares & Leland Whitty: Jazz, Toronto, Ontario
BADBADNOTGOOD, expanded. “Matthew Tavares and Leland Whitty – best known for their roles within pioneering jazz band, BADBADNOTGOOD – present their collaborative album, Visions, a sublime combination of modern jazz, impressionist classical music, and Arthur Verocai-esque arrangements.” Bandcamp. –HN
EABS: Polish Jazz for an Eclectic New Generation
Polish jazz? Right away I’m hooked. But before you know it, EABS (Electro-Acoustic Beat Sessions) quickly turns the corner into darker, jazz-influenced hip-hop a la BADBADNOTGOOD. Then it all gets violent and explodes in sound and then comes back all together again in a mesh of grooves. And it’s all dedicated to Krzysztof Komeda. And it’s only the first song. It’s so great.
Check out more music via Astigmatic Records.
EABS debut album entitled “Repetitions (Letters To Krzysztof Komeda)” is a dedication to Polish Jazz legend Krzysztof Komeda. This album is an analysis of conscientiously selected compositions by Komeda between 1962-1967. EABS explores some of Komeda’s lesser-known compositions featured in ballet etudes, movies, short films, documentaries, animations and compositions illustrating Polish poems recited in German.
Carefully chosen compositions, the background of the movies for which the music had been written and Marek Pędziwiatr’s lyrics all add up to “Repetitions” being some kind of a concept album about the condition of the human soul in the 21st century. The questions one may ask might be similar to those which could have been asked by the artists witnessing post-war debris: will history come full circle? Lack of knowledge, flourishing idiocracy, aggression, aiming for conflicts, shortage of community spirit and love may lead to another doomsday. Perhaps we simply aren’t able to see the impending doom now… Just like in a poem by Czesław Miłosz, “A Song on the End of the World”, to which Krzysztof Komeda wrote “Waltzing Beyond”.
Mariam Sawires: Arabic-Infused Jazz & Neo-Soul
“Sick of being tied to you / and I don’t even talk to you” is such a killer line. This and the rest of Mariam Sawires‘ beautiful singing elevates to something special when she switches from jazz lounge to Roots-like R&B that gradually crescendos into a climax colorful like the album cover. And this is just on one song – the rest of the album travels through different peaks and valleys of moods, all done well and all making me very excited for what Sawires has in store for us in the future.
“Egyptian, born in Australia into a worldly, nomadic family of musicians artists originating in desert sands to urban landscapes worldwide. Mariam’s youth was inspired by the sweet lyrical high-pitched melodies of traditional Arabic songs, the rhythms created from the clay Darbuka of her father. Bringing her flavor of Arabic/Northern African infused Jazz/ NuSoul to Europe, Africa, USA, and Asia.”
Kukushai: musicians from South Korea and Slovenia unite in the name of experimental jazz
It sounds like insects marching towards war at first, and then Eva Poženel’s vocals come in and oh shit it’s a jazz thing but with a Fiona Apple-like stomp. Kukushai‘s explosion of sound could go off any minute, but Sun Mi Hong’s drumming keeps everything in check and Rok Zalokar’s keys move things along. It’s all theatrical, and it’s all quite beautiful and bizarre at times. Poženel, Hong, and Zalokar all met in Rotterdam, The Netherlands and they use their varying cultural heritages (Poženel and Zalokar from Slovenia, Hong from South Korea) to good use.
Fruitile is out now via Slovenian label ZARŠ Records.
“Avantgarde pop trio with original music that’s flirting with jazz, rock and even punk, but don’t take these labels to heart, listen and decide for yourself”
Tarek Yamani: Jazz and Afro-Tarab Pianist from Beirut
My mind draws a blank when it thinks of jazz in the Middle East. There aren’t too many names that stand out to me doing notable things in the genre outside the United States, though this has more to do with my own ignorance and bad luck. Lebanese pianist Tarek Yamani has changed that. Yamani, who now splits his time between New York and Dubai, uses jazz to, in his own words, explore the relationship between African-American jazz and Arabic rhythms and maqams.
Check out this great video via Your Middle East on how Yamani approaches jazz and songwriting.
“Born and raised in Beirut, Tarek is an American-Lebanese award winning composer and a self-taught jazz pianist who got exposed to jazz around the age of 19. Since the release of his debut “Ashur” in 2012, Tarek has been dedicated to exploring relationships between African-American Jazz and Arabic rhythms/maqams which is most evident in his second album ‘Lisan Al Tarab: Jazz Conceptions in Classical Arabic'”
Memória de Peixe: Lisbon duo blows up the math rock formula by adding jazz and an excellent use of looping
I don’t think I’ve ever heard anything like Memória de Peixe, the Lisbon duo (Miguel Nicolau on guitar and Marco Franco on drums) that manages to sound like five bands together making glitchy, jittery math-rock without any of the pretention and with so much joy and wonder. If you’ve heard another band like this, I’m sure they don’t sound nearly as fun.
“It’s a world of fantasy, adventures, final bosses, super-heroes, lonely comets, space odysseys and angry quarks falling in love with dead pixels.
Scientifically, “Himiko Cloud is a nebular gas cloud that is thought to be a protogalaxy, caught in the act of formation”. “Himiko” is also the name of our anti-gravity fish, that aggregates stories. Andy Singleton, an artist based in UK, created a sculpture of our friend “Himiko”, incorporated with amazing maglev technology.
Our Artwork was created by Carlos Gaspar, paintings representing a map to our songs. Also, the songs were made based on stories created by our own”
Quantic: the renowned British producer teams up with Nidia Góngora to showcase Colombian folk.
Will Holland, the man behind the name, is a British producer now based in Brooklyn, NY who specializes in finding and sharing world dance music. The latest release is ‘Curao,’ a collaboration between Holland and Colombian folklore singer Nidia Góngora.
“The culmination of a creative partnership that has been sparking for the best part of a decade, ‘Curao’ is the full LP from [the] world-renowned British producer and Colombian folklore singer Nidia Góngora. Out 12th May, the record brings a new and highly original interpretation of the unique, rich and mystical musical traditions of the Colombian Pacific Coast.”
TATRAN: Tel Aviv psychedelic instrumental power-trio previews new album with bizarre (and excellent) new music video
I have no idea what’s going on in TATRAN‘s latest music video, and I think that’s OK. From the jarring dancing to the masked people who look like Miyazaki extras, there’s a lot going on, and it’s all soundtracked to experimental and jazzy instrumental post-rock.
The video is for “Eyes,” the latest single from the group’s upcoming album ‘No Sides,’ out June 2nd.
From the press release:
“The latest video from Israel’s Tatran is a pulsating visual experience. Created for their latest single “Eyes”, which is also featured on the upcoming album. The work takes place in an ancient bell cave in Israel. As strange figures marvel with each frame, showcasing unique and eye catching abstractions. The lack of identity given to these characters allows them to move with fluidity, while being consumed by the distinctive space.
An incredibly tight production, the video progresses with quick pace mirroring with the unparalleled high notes and melody of the bass, and the deep low lines courtesy of the guitar. The result is a mesmerizing display of creativity that is difficult to ignore. As the video concludes, members of the obtuse pack join a deity, who utilizes a supernatural dance to communicate sweet vibrations to her troops.”