Kukushai: musicians from South Korea and Slovenia unite in the name of experimental jazz
It sounds like insects marching towards war at first, and then Eva Poženel’s vocals come in and oh shit it’s a jazz thing but with a Fiona Apple-like stomp. Kukushai‘s explosion of sound could go off any minute, but Sun Mi Hong’s drumming keeps everything in check and Rok Zalokar’s keys move things along. It’s all theatrical, and it’s all quite beautiful and bizarre at times. Poženel, Hong, and Zalokar all met in Rotterdam, The Netherlands and they use their varying cultural heritages (Poženel and Zalokar from Slovenia, Hong from South Korea) to good use.
Fruitile is out now via Slovenian label ZARŠ Records.
“Avantgarde pop trio with original music that’s flirting with jazz, rock and even punk, but don’t take these labels to heart, listen and decide for yourself”
Aseul: South Korean artist returns with the glitchy “Wake Up”
According to Korean Indie, “Wake Up” is a preview of Aseul‘s new, somewhat different, sound and that you should check out her first record for a proper introduction. I agree, but there’s also a lot to like in the new song; the song is free of any tight constraints and the melody comes and goes as it pleases over glitchy beats. Very excited for the new record.
49 Morphines: the unpredictable tension of South Korean post-rock
Sometimes music can be so vivid and graspable that it allows the listener to create a visual representation, like listening to a record soundtrack a movie that doesn’t exist. ‘Partial Eclipse,’ the only full-length release by 49 Morphines, is one of those albums.
This post-punk five-piece started playing in Seoul, South Korea in 2003. In spite of a 14-year-long career, their discography only consists of one EP from 2004 and the aforementioned LP released in 2008.
49 Morphines play an impeccable mix of screamo and post-rock, similar in a way to their Japanese neighbors, Envy – yet this sound is more complex and particular. The contrast between soft and explosive is less balanced and predictable. At first, an Explosions In The Sky-like tenderness leaks through quiet and poignant guitars that never feel comforting, as the violence that comes before and after is unprecedented. The rhythm gets fast, crammed with ever-changing drum tempos and frantic guitars equally inspired by hardcore and metal. The listener’s awareness of the upcoming tempest is enough to turn even the softer moments in a vortex of tension and anxiety.
It’s been nine years since the release of ‘Partial Eclipse’, and meanwhile, some of the band members have started new bands; Noeazy plays a particularly furious type of metalcore while Jambinai mixes post-rock with traditional Korean folk instruments. Yet 49 Morphines still play a couple of shows every year, and they might even release something new in the near future according to an interview from last year.