49 Morphines: the unpredictable tension of South Korean post-rock
Sometimes music can be so vivid and graspable that it allows the listener to create a visual representation, like listening to a record soundtrack a movie that doesn’t exist. ‘Partial Eclipse,’ the only full-length release by 49 Morphines, is one of those albums.
This post-punk five-piece started playing in Seoul, South Korea in 2003. In spite of a 14-year-long career, their discography only consists of one EP from 2004 and the aforementioned LP released in 2008.
49 Morphines play an impeccable mix of screamo and post-rock, similar in a way to their Japanese neighbors, Envy – yet this sound is more complex and particular. The contrast between soft and explosive is less balanced and predictable. At first, an Explosions In The Sky-like tenderness leaks through quiet and poignant guitars that never feel comforting, as the violence that comes before and after is unprecedented. The rhythm gets fast, crammed with ever-changing drum tempos and frantic guitars equally inspired by hardcore and metal. The listener’s awareness of the upcoming tempest is enough to turn even the softer moments in a vortex of tension and anxiety.
It’s been nine years since the release of ‘Partial Eclipse’, and meanwhile, some of the band members have started new bands; Noeazy plays a particularly furious type of metalcore while Jambinai mixes post-rock with traditional Korean folk instruments. Yet 49 Morphines still play a couple of shows every year, and they might even release something new in the near future according to an interview from last year.
Writer and musician from Milan, Italy. Hardcore punk background, DIY enthusiast, Balkan culture scholar. Check him out on Twitter at @advaence