Al Massrieen: Arabic funk via the essential Habibi Funk Records
Al Massrieen, this gem of a band, came onto my radar when I was introduced to Habibi Funk Records, a Berlin sub-label of Jakarta Records that specializes in reissuing Arabic funk and jazz music from the ’70s and ’80s. Al Massrieen was an Egyptian band that played groovy Arabic funk from 1977 until the group’s end in 1988.
The full release, titled ‘Habibi Funk 006: Modern Music,’ will be released online April 28th.
From Habibi Funk’s SoundCloud:
“[This] was one of the first bands I learned about once I discovered the tape format. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the [band]. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt’s only winner of the Nobel Price for literature) after discussing his ideas with him.”
Eslam Salem: for fans of ‘Hail To The Thief’ and other moody jams
The latest release from Cairo’s Eslam Salem is a somber affair, with twitching beats and guitars supporting a mournful voice with quite a range. The results echo Radiohead’s ‘Hail To The Thief’ in that you can hear human pain behind manipulated sounds.
Youssra El Hawary is an Egyptian songwriter, accordionist, and singer who, as Beehype notes, first made a name for herself internationally in 2012 with “El Soor,” a politically-charged aim at Egypt’s rule in the aftermath of President Hosni Mubarak’s overthrow from office and the rise of the SCAF. The song’s music video features Hawary climbing the wall in Cairo’s Tahrir Square, the main location of the 2011 Revolution, and singing about the politics of the wall with a disarmingly simple arrangement (“In front of the wall/In front of those who built it/In front of those who made it high/Stood a poor man/Who peed/On the wall, and on those who built it and those who made it high.”). The video was a hit, and it even landed her a spot on NPR.
Hawary’s latest release, “El Alam” (“The Flag”), is another showcase of her trademark sound of combining classical and understated arrangements with sharp political and self-reflective lyrics. I think of her as a sort of PJ Harvey-like writer, someone who is smart enough to do more with less both in song and words. Make sure to keep your eyes out for more music coming out hopefully soon.