La Danza del Agua: the very best, and very weird, of America
The latest release from Argentina’s Pakapi Records is La Danza del Agua, a massive collection highlight the very best, and very weird, of American music.
From the label:
“”La Danza del Agua” is an eclectic musical journey led by 38 artists throughout America. Exploring new territories for a label specialized in South American music, this compilation seeks new and exciting sounds in the vast continent from digital cumbias, sound experimentation, freak folk, noise, danceable beats and much more, mixed together to give life to this multiple edition that will be out in mid-July as its first online volume (of two that compose it) and a co-edited cassette version between Was it Das? and Pakapi Records.”
While we wait, check out the label’s latest release below.
El Mató a un Policía Motorizado: “think Dinosaur Jr. showing you their sensitive side.”
For over 14 years, El Mató a un Policía Motorizado has been one of Argentina’s most beloved indie bands. If you care at all about indie rock, the band’s guitar-leaning DIY sound fits right at home here with all the other guitar bands in Brooklyn (this is a compliment, too!). According to Dance To The Radio, the band will release a new album soon, and you can hear the new single below.
Last year, Bandcamp Daily did a profile on the La Plata band – Evy Duskey’s description “think Dinosaur Jr. showing you their sensitive side” is spot on.
‘Sampieri & GMC’: blissed-out psychedelic free folk from Argentina
I’ve recently discovered the wonderful Pakapi Records, an Argentina-based label that focuses on promoting South American artists. The standout for me so far is this 2015 collaboration between Sebastian Sampieri (Sampieri) and Guillermo M. Cerredo (GMC). ‘Sampieri & GMC,’ when you’re in the right mindset, is a blissed-out collage of psychedelic free folk.
“This new lysergic adventure is a blunt split plagued by experimental music, sampledelia, electronic and acoustic sounds, synthesizing a cross of folcklore, tribal mantras to pure electronic and a narcotic and descriptive shared collage.”
Shika Shika: fostering global collaboration between artists across continents
From Bandcamp bio:
“Shika Shika is a record label without owners for music without borders. We want to bring together producers from around the world exploring the line between organic and electronic music. The platform aims to foster global collaboration between artists, designers, videographers, product designers and creative minds across continents.”
And a full statement on the label’s latest release ‘Mare Insularum’:
“Today marks the dawn of a new era in the politics world and 2016 saw monumental shifts in how the world is shaping up for the future. Inspired by an atmosphere of desperation, frustration and a lack of hope we went to music to seek solace, inspiration and a reminder of the incredible things humans are able to do if they are open minded, work together, cross borders and get creative.
Mare Insularum translates as Sea of Islands and also the name of one of the many lunar seas. In line with Shika Shika’s vision, the album not only showcases music that is blurring borders and genres, seeking inspiration from past and present, but also music that offers hope, escape, inspiration.
We believe in the power of music and we believe in the power of collaboration. Despite the shift in the white house and the apparent slide into a dangerous new world, at Shika Shika we also believe 2017 is going to be a year of resistance and of hope.
We want to say thanks to all the artists for contributing new tracks, edits and pieces directly written for this compilation.”
Moro: putting an Argentinian sound and face to NON
Buenos Aires musician Moro is a member of NON, a worldwide resistance movement for African artists and supporters. Okayafrica did a great profile on NON and Moro’s self-branded musical style dubbed “Ramba,” which is part revival club part and part imaginative beat making that, in this track below, features a lovely Björk remix.
What would Joni Mitchell sound like covering Nick Drake with Bon Iver’s banjo player and percussionist? Whatever that is, Buenos Aires’ Karina Vismara would smoke ’em. She has a voice, and it’s never caught trying to justify boring guitar playing or any old trick we’ve heard a million times. Vismara’s secret weapon is in her writing, for she knows when to move from haunting coffee-shop fingerpicking folkie to I’m Gonna Bang And Wail On My Guitar And Scream Without Raising My Voice And I Will Devour The Pin That You Can Hear Drop When I Play. She’s that good.
I am, and will be, in a Radiohead mood for a long time, so Mi Amigo Invencible‘s cozy and glitchy ambiance fits right into my senses right now. La Danza de los Principiantes is the Argentinian group’s sixth LP and features plenty of dreamy tunes similar to “Máquina del Tiempo” (“Time Machine”). The song’s music video is also a very Radiohead-esque; the band’s two singers are layered on top of each other in greenish blue light, slowly swaying and singing something sad. And wait until the drums kick in.