Biorn Borg: not the tennis player
It’s a shame that we haven’t had any new music from Biorn Borg since 2012 – this Ecuadorian band writes some killer riffs and has fantastic energy. Positive, weird alternative guitar rock, please come back!
“Biorn Borg takes its name from the six-time French Open champion tennis player. The band was born with the idea of rocking forward with a straight face. Their lyrics are direct, provocative and full of urban poetry. Their live act emphasizes a powerful and polished sound with an electrifying feel.”
La Danza del Agua: the very best, and very weird, of America
The latest release from Argentina’s Pakapi Records is La Danza del Agua, a massive collection highlight the very best, and very weird, of American music.
From the label:
“”La Danza del Agua” is an eclectic musical journey led by 38 artists throughout America. Exploring new territories for a label specialized in South American music, this compilation seeks new and exciting sounds in the vast continent from digital cumbias, sound experimentation, freak folk, noise, danceable beats and much more, mixed together to give life to this multiple edition that will be out in mid-July as its first online volume (of two that compose it) and a co-edited cassette version between Was it Das? and Pakapi Records.”
While we wait, check out the label’s latest release below.
Matador: “It is better to listen to it with headphones”
Matador is Santiago Bogacz, who does all the guitar playing and singing you hear on his latest album that came out late last year, which is eerie and spacious and haunting and really beautiful.
“It is better to listen to it with headphones.”
Gepe: Chilean indie titan keeps mellow folk-pop interesting
Already a big name in Chile, Gepe‘s mellow folk-pop should be in your collection as well. Check out this great profile of the Chilean artist via Remezcla, and check out his latest music video below.
“Chilean indie titan Daniel Riveros — better known as Gepe — has taken a glittering baseball bat made of sparkly electronics and smashed down every wall that stands between traditional South American folk music and contemporary pop. He’s tinkered with reggaeton, re-energized huayno, and reconstructed cumbia. His style functions like a magical lava lamp, perpetually leaving fans in a state of marvel over his amorphous, incandescent creations…The master of reinvention has flaked off layer after layer to deliver a 10-song album that is minimal and largely acoustic. The songs are so scaled back, they would be forgettable if they weren’t so catchy, and they bring out Gepe’s unvarnished ear for melody and simplicity — a side he showed audiences briefly on his solo debut Gepinto in 2005.”
Quantic: the renowned British producer teams up with Nidia Góngora to showcase Colombian folk.
Will Holland, the man behind the name, is a British producer now based in Brooklyn, NY who specializes in finding and sharing world dance music. The latest release is ‘Curao,’ a collaboration between Holland and Colombian folklore singer Nidia Góngora.
“The culmination of a creative partnership that has been sparking for the best part of a decade, ‘Curao’ is the full LP from [the] world-renowned British producer and Colombian folklore singer Nidia Góngora. Out 12th May, the record brings a new and highly original interpretation of the unique, rich and mystical musical traditions of the Colombian Pacific Coast.”
Low Dream: Brazilian shoegaze greats finally comes to streaming
Low Dream, one of the best Brazilian shoegaze bands you’ve probably never heard of, is finally on streaming services. My personal favorite is their second record, ‘Reaching for Balloons,’ which best captures the band’s love of Jaguar guitars, lust, and the Velvet Underground.
From Midsummer Madness:
“The two albums, the first demo and a compilation of extras [are] re-released for streaming platforms. Available in digital format here in mmrecords since 2001, ‘Dreamland’ (the demo), ‘Between My Dreams & the Real Things’ (1st album), ‘Reaching for Balloons’ (2nd album) and the compilation ‘Soundscapes'”
El Mató a un Policía Motorizado: “think Dinosaur Jr. showing you their sensitive side.”
For over 14 years, El Mató a un Policía Motorizado has been one of Argentina’s most beloved indie bands. If you care at all about indie rock, the band’s guitar-leaning DIY sound fits right at home here with all the other guitar bands in Brooklyn (this is a compliment, too!). According to Dance To The Radio, the band will release a new album soon, and you can hear the new single below.
Last year, Bandcamp Daily did a profile on the La Plata band – Evy Duskey’s description “think Dinosaur Jr. showing you their sensitive side” is spot on.
Centavrvs: “the (Mexican) salsa movement of the ’70s, but as if mixed in the future”.
Mexico’s highly popular group Centavrvs mixes the past salsa sounds of the ’70s with modern rock and pop instrumentation.
“[Centavrvs] explored the idea of combining traditional and modern local sounds. With the celebrations of the centenary of the Mexican Revolution as their pretext, Centavrvs started their own story with this mix of past, present and future…If you want to know how modern Mexican music sounds, Centavrvs is definitively the right choice.”
‘Sampieri & GMC’: blissed-out psychedelic free folk from Argentina
I’ve recently discovered the wonderful Pakapi Records, an Argentina-based label that focuses on promoting South American artists. The standout for me so far is this 2015 collaboration between Sebastian Sampieri (Sampieri) and Guillermo M. Cerredo (GMC). ‘Sampieri & GMC,’ when you’re in the right mindset, is a blissed-out collage of psychedelic free folk.
“This new lysergic adventure is a blunt split plagued by experimental music, sampledelia, electronic and acoustic sounds, synthesizing a cross of folcklore, tribal mantras to pure electronic and a narcotic and descriptive shared collage.”
‘Sampieri & GMC’/Pakapi Records: Bandcamp Facebook
Anti-Corpos: feminist lesbian hardcore via São Paulo
The original goal of a genre like hardcore punk has always been to change things, fight injustices, and give a voice to those who are oppressed. However, it feels like with time, the hardcore scene has become a niche built for white males, with many live shows turning into a gym for violent people, a phenomenon that has inevitably pushed others away from the scene and from its great potential. It’s in this context that the importance of Anti-Corpos, who define themselves a feminist lesbian hardcore band, becomes evident. They epitomize the original spirit of hardcore.
Anti-Corpos are from São Paulo, Brazil, and they might be the angriest band you’ll ever hear. No triggered double-kicks, pompous guitar riffs, or carefully faked screams. Only real and necessary anger. Their urgency is evident in the strident vocals of singer Rebeca Domiciano: she needs to scream and to get things off her chest. It feels like her voice, while refusing to precisely follow her band mates fast-paced tempos, can actually make a difference.
Their latest full-length, released in 2015, is a great example of political hardcore. It’s titled ‘Forma Prática de Luta’ (‘Practical Way Of Fighting’) and contains eight short and intense tracks that talk about police brutality, patriarchal abuse, and finding ways to resist to any kind of oppression. The lyrics are in Portuguese, but they barely need to be translated, seeing how energetic and heartfelt everything sounds. In their live shows, this anger is even amplified while male chauvinist violence is not tolerated. It’s what hardcore should simply be like, now more than ever.