No Party For Cao Dong: Taiwanese post-rock for fans of The National, Interpol, and other nighttime guitar rock
As we wait hopefully for new music by post-rock greats No Party For Cao Dong, there’s plenty of great tracks to get acquainted with. Also head over to Beehype for a look at the video for “Shanhai” (山海), one of the more creative music videos I’ve seen in a while.
From Bandcamp bio:
“Beats bouncing between Disco and Grunge, [we’re] often recognized as a indie/post-rock band with rough and sharp tone fusing with softness and gentleness.
Whispering in despair and screaming in hopeless is the vocal, leading melodies and rhythms to unexpected arrangements.
Aside from music, their exotic, passive but romantic lyrics engraves emotions deeply into your hearts.”
My favorite thing about Undecimber Fin. is that I don’t know how to classify its sound. “Gravity” starts off as an ambient indie groove with scattered electric beats and a gentle acoustic guitar. But then it sidesteps into a jazz swing with disorganized pianos and blasts of distorted guitars that sound more like tiny noise bombs. The music then takes another left turn with the return of the slow, gentle singing and the acoustic guitar picking that now wouldn’t sound out of place on Radiohead’s In Rainbows. When all the pieces come together, the song is a calm yet distinct mosaic.
Speaking of mosaic, if you take a look at the band’s SoundCloud you’ll see cryptic cartoons as the covers of the few songs the band has uploaded on its profile (I haven’t found any full-length releases yet). These cartoons are like the stills from a strange dream, which isn’t a bad way to describe the band’s atmospheric yet urgent sound. Also, does anyone have an idea what the band name means?
Regardless, as I learn more about Taiwan’s music scene, Undecimber Fin. gives me great hope for what else I may soon discover.
Undecimber Fin.: Facebook