Noura Mint Seymali

Noura Mint Seymali: Mauritania’s great psych blues artistnoura mint seymali

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I’ve only recently discovered the incredible music of Noura Mint Seymali, whom Vice Noisey rightfully called the Mauritanian psych blues artist you need to know about. All of Seymali’s albums are great, especially last year’s fast-paced Arbina, which features some of the best riffs you’ll ever hear on any instrument from any musician in the world.

From Bandcamp:

“Arbina is Noura Mint Seymali’s second international release. Delving deeper into the wellspring of Moorish roots, as is after all the tried and true way of the griot, the album strengthens her core sound, applying a cohesive aesthetic approach to the reinterpretation of Moorish tradition in contemporary context.

…Supported by guitarist, husband and fellow griot, Jeiche Ould Chighaly, Seymali’s tempestuous voice is answered with electrified counterpoint, his quarter-tone rich guitar phraseology flashing out lightning bolt ideas. Heir to the same music culture as Noura, Jeiche intimates the tidinit’s (Moorish lute) leading role under the wedding khaima with the gusto of a rock guitar hero. Bassist Ousmane Touré, who has innovated a singular style of Moorish low-end groove over the course of many years, can be heard on this album with greater force and vigor than ever before. Drummer/producer Matthew Tinari drives the ensemble forward with the agility and precision need to make the beats cut.

Many of the songs on Arbina call out to the divine, asking for grace and protection. “Arbina” is a name for God. The album carries a message about reaching beyond oneself to an infinite spiritual source, while learning to take the finite human actions to necessary to affect reality on earth. The concept of sëbeu, or that which a human can do to take positive action on their destiny, is animated throughout. While final outcomes rest in the hands of the creator, the duty to use one’s capacities as a human to work towards our hopes and highest intentions roots us in life and relationship to God. The title track ‘Arbina’ applies this concept to specifically empower women in their decisions about preventative healthcare. It advocates for the concrete task of early screening to prevent breast and uterine cancer, sickness that claimed Noura’s own mother at a premature age, while offering an appeal to the ultimate benevolence of God. “Ghizlane” invokes the concept through metaphor, describing the elusive nature of our dreams and the innate obligation to follow. “Richa” reflects of the power of music as a vehicle.”

Noura Mint Seymali: Website SoundCloud Facebook Twitter

Brady is the founder of Headphone Nation. He’s responsible for all this mess. Sorry about that. He’s also on Twitter @BradyWGerber
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Jeich Ould Badu & Ahmedou Ahmed Lewla

Jeich Ould Badu & Ahmedou Ahmed Lewla: Instrumental synth and lute from the Sahara desert and Sahelsounds

Jeich Ould Badu & Ahmedou Ahmed Lewla

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‘Top WZN’ is another Sahelsounds collection that focuses on Mauritanian WZN (instrumental music), a sort of pop music for this West African country. Both Jeich Ould Badu and Ahmedou Ahmed Lewla are masters in their own right at the manipulated lute and the Arabic scaled pitch synth that, played together, sound oddly soothing in its freakouts and delicate tempos – you can never tell where the songs will go, which keeps you on your toes.

from Sahelsounds:

“The album (originally released on cassette in 2009) showcases Jeich Ould Badu and Ahmedou Ahmed Lewla, playing a signature genre of instrumental music. Known as اوزان (transliterized as “alwazan” “wezen” or “wzn”), literally translated as “rhythm,” it colloquially refers to a contemporary genre of instrumental music, defined by synthesizers, electric guitars and lutes, and electronic drum patterns. Jeich Ould Badu is from a celebrated family of griots, and learned to play music at a young age. He plays the tidnit, the traditional Hassaniya lute – modified and updated, the goat skin replaced by flattened tin, and hacked together with phaser pedals and built in pre-amps. Ahmedou Ahmed Lewla is one of the most well known keyboard musicians in Mauritania. He plays an Arabic moded synthesizer capable of the quarter tone scales adapted from the fretless strings of classical Moorish traditions.

Popular Mauritanian music is often performed publicly with large troupes of guitarists, tidnits, synthesizers, and multiple rhythm sections. But in the past decade, the influx of small recording studios and a booming cassette industry has led to artist driven productions. WZN has followed suit, and has been transformed into an established genre. The slick studio sound, warbling tidnit, and microtones of the synthesizer are an integral part of today’s musical landscape, blasting from open air music shops and taxi cabs throughout the capital.”

Sahelsounds / Jeich Ould Badu & Ahmedou Ahmed Lewla: Website Facebook Twitter SoundCloud

Brady is the founder of Headphone Nation. He’s responsible for all this mess. Sorry about that. He’s also on Twitter @BradyWGerber
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